Although he does not make any profound remarks, he seems to be the wisest person within all the characters in the comedy. I never may believe These antique fables, nor these fairy toys.
There he uses his humor to abuse Malvolio who is still unaware that he is actually talking to the clown than to the real Sir Topas. Finally, when 'Cesario' and Sebastian appear in the presence of both Olivia and Orsino, there is more wonder and confusion at their physical similarity.
Sir Toby and Sir Andrew engage themselves in drinking and revelry, thus disturbing the peace of Olivia's household until late into the night, prompting Malvolio to chastise them.
Through tatter'd rags small vices do appear; Robes and furr'd gowns hide all. This is how Goneril treats the fool in King Lear; it is what happens time and again to the tramps and beggars who erupt into the world of modern drama and who are the fool's spiritual descendants—for instance, the tramp in David Rudkin's Afore Night Come.
I know his soul is in heaven, fool. It is a vicious circle. Only when the world of action, the world of other men, is somewhere else, can Rosencrantz and Guildernstern show us the real agonies of the fool. There he uses his humor to abuse Malvolio who is still unaware that he is actually talking to the clown than to the real Sir Topas.
As an illustration of the way in which enlightened man has failed to treat his neighbour any better than his 'backward Russian brother' does, he tells the story of a young man brought up like a beast and neglected by society until he has committed murder and is condemned to death.
But, as his servant, he can do nothing to make him aware of this, for he cannot confront him with his true self. And three times as much more, and yet nothing at all. He is forced to a recognition of the double standard, his own and the world's, and to the knowledge that where he sees himself as a self, the rest of the world will mark his caperings solely as an excuse for laughter.
First of all, I think it's simply funny. As Viola points out here, he must be a genius with words to be able to play the fool as well as he does, easily making him one of the wisest characters in the play. They relatively have the same objectives in their roles but in appearance wise clothes, physical features they may be different.
Take away the fool, gentlemen. III Shakespeare's world is thronged with fools and madmen, and often a single play will treat of several levels of madness. Gratiano and Mercutio adopt the pose of fool here for reasons we cannot fathom.
Ivan in The Brothers Karamazov is just such a person. Olivia is shocked by the changes in Malvolio and agreeing that he seems mad, leaves him to be cared for by his tormentors. This allows the audience to accept such behavior as just and acceptable despite in most circumstances such actions would be condemnable.
However, the double meaning is that Orsino is the one heart, bosom, and truth that Viola has she is in love with and devoted to Orsino aloneand that no other woman shall be his mistress.
Into this category critics place Shakespeare's intellectual or "wise-fools," notably Touchstone of As You Like It, Feste of Twelfth Night, and King Lear's unnamed Fool. In William Shakespeare's comedy, Twelfth Night, Feste the clown is not the only fool who is subject to foolery.
He and many other characters combine their silly acts and wits to invade other characters that "evade reality or rather realize a dream", while "our sympathies go out to those".
Twelfth Night and The Servant of Two Masters both relate to this course’s theme of the carnivalesque. Both plays share the commonality of having a clown, or a fool; in Twelfth Night it is Feste or the Fool, and in The Servant of Two Masters it is Truffaldino.
Twelfth Night by William Shakespeare is a romantic comedy set in Illyria during the Christmas season. The article analysis is a critique on the elements of folly and foolery in Shakespeare’s twelfth douglasishere.com defined in the critique, a fool can be “a silly or foolish person” or “one who professionally counterfeits folly for the entertainment of others, a jester, a clown”.
Brudevold, Siri M., "The Wisdom in Folly: An Examination of William Shakespeare's Fools in Twelfth Night and King Lear" ().
Scripps Senior Theses. wise fool in Twelfth Night and King Lear. These characters rely on their wits to William Willeford offers a general definition of a fool as A silly or idiotic or mad person, or one who is. Twelfth Night by William Shakespeare Twelfth night is a comedy play written by William Shakespeare.
The entire play revolves around love and ideas of love. The very first line of the play tells us that love will be the main feature: ‘If music be the food of love, play on’.The definition of the term a fool a silly person in the twelfth night by william shakespeare